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HARDWARE

MacBook Pro M3 Max

My main editing workstation, powerful enough to handle heavy 4K commercial projects, high-frame-rate proxies, and multi-layered Avid, Premiere or Resolve timelines without breaking a sweat. 

SAMSUNG 27" Display

A colour-accurate secondary display I use for playback and timeline management. It gives me the extra space to monitor scopes, bins, and exports side by side with the main viewer.

DT 770 PRO Headphones

Ideal for late-night editing or working on the move. Their neutral sound helps me stay consistent across setups, especially when fine-cutting interviews or balancing voiceovers.

Wacom Tablet

Perfect for fast, precise timeline navigation and retouching when I switch over to design or finishing tasks. I prefer it over a mouse for long sessions, it keeps my workflow fluid and my wrist happy.

Keychron K5 SE

A low profile mechanical keyboard with my favourite brown switches for tactile feedback. Cross-platform for switching between macOS and Windows, with PBT shine-through keycaps that stay clear and easy on the eyes during long edit sessions.

Logitech MX Master 3S

My daily driver for both light editing and general work. Custom macros and ergonomic design make it perfect for long sessions and quick timeline adjustments.

EDITORIAL & CREATIVE

AVID MC Ultimate

My main editing platform for commercial and long-form projects. I use it daily for media management, sync maps, group cutting, and conform prep. Its the backbone of my offline workflow.

Premiere Pro

I rely on Premiere Pro being the most dominant tool in the social and branded content landscape after Avid. It’s my go-to for anything fast-paced: quick turnarounds, social edits, short-form content.

DaVinci Resolve Studio 20

I rely on Resolve for color grading, conforming, and finishing. It’s also my go-to for QC checks and creating seamless online-to-offline turnovers when collaborating with post houses.

Final Cut Pro 11

A solid companion for fast-paced projects, social content, and small-scale branded edits. Its speed and magnetic timeline make it ideal when deadlines are tight and workflows need to stay flexible.

Shutter Encoder

My go-to encoding tool, perfect for extracting audio or video, rewrapping media, or reconforming files. It’s a hidden gem built on FFmpeg, fast, reliable, and essential for any editor’s toolkit.

Compressor

Essential for exporting masters, broadcast deliverables, and client review files in consistent, high-quality formats. I use it to automate repetitive export tasks and manage custom presets across projects.

Blackmagic Speed Test

I use this tool to check real-world disk performance before starting heavy projects. It helps me confirm drives, RAIDs, and delivery disks are fast enough for high-bitrate workflows, avoiding bottlenecks during conforms, turnovers, or online sessions.

Keyboard Maestro

I use a handful of key macros to speed up repetitive editing and file management tasks, small automations that make everyday workflows faster, more consistent, and less prone to human error.

Tuxera Disk Manager

A simple but crucial tool for managing external drives across Mac and PC workflows. Keeps formatting clean and transfers smooth when dealing with multiple editors or DITs.

Name Wrangler

A small but powerful renaming utility that saves hours when dealing with camera cards and proxies. Perfect for prepping media before ingest or cleaning up naming conventions from set.

MediaInfo

My first stop when troubleshooting footage. I use it to check frame rates, codecs, and metadata before relinking or transcoding a must-have for smooth conforms.

BBEdit

I use BBEdit for batch-editing ALEs, XMLs, and EDLs. It’s also great for cleaning up bin data or tweaking project metadata that needs to stay human-readable and precise.

VisualDiffer

I use it to compare directories when building take-home packages for editors a quick way to spot missing files and avoid manual checks or human error.

MDVX

A companion tool for Avid that scans drives to reveal which projects own which media. I use it to quickly spot missing or duplicate files when cleaning up, archiving, or building take-home packages.

EasyFind

My go-to when Spotlight can’t index shared servers or Avid NEXIS. Perfect for tracking down project versions, missing assets, or buried exports.

OffShoot

My DIT-level offload tool I use to verify and clone camera cards safely. Its checksum verification gives peace of mind before transcoding or ingesting into Avid or Resolve.

FoolCat

I use FoolCat to generate clean camera reports with high-quality stills and full metadata straight from the rushes. It gives me a fast, reliable overview of every clip.

EditReady

EditReady it’s fast, reliable, and handles nearly every RAW and non-RAW codec without hassle. Its accurate manufacturer color science gives me clean, consistent transcodes that drop straight into Avid.

Post Haste

A project-templating tool that lets me create consistent folder structures for every job. It keeps my Avid, Premiere, and Resolve workflows organised from day one, speeding up handovers and removing any guesswork in asset management.

POST-PRODUCTION INFRASTRUCTURE & PIPELINE

Avid NEXIS

I used Avid NEXIS as the central shared-storage backbone in post houses, giving editors instant access to media and bins without any drive copying or slowdown. 

Avid Symphony

 Avid’s advanced finishing toolkit for grading, online conforms, versioning, and broadcast-safe QC. I use its expanded toolset for precise picture conforms and reliable final deliverables.

Avid Interplay

I’ve used Avid Interplay, Avid’s shared media-management system, for collaborative editing. Its centralised workflow let me turn around multi-version projects quickly under tight deadlines.

Edit Share

Many post houses use EditShare because it’s flexible, works seamlessly across multiple NLEs, and supports both offline and online teams without locking them into a single ecosystem. 

MASV

I’ve used MASV as a high-speed large-file transfer platform, built for sending huge media packages securely and without the usual transfer headaches.

Media Shuttle

I’ve used Media Shuttle, Signiant’s accelerated file-transfer platform, for moving media between DITs, editors, and production teams.

WireDrive

I’ve used Wiredrive as a secure review-and-approval platform for sharing cuts, gathering client feedback, and presenting work professionally.

ClearCast

UK’s ad-approval platform to ensure commercial spots meet broadcast standards before delivery.

Frame.IO

My go to cloud-based review and approval platform, making it easy to share cuts, track notes, and collaborate with editors, directors, and clients in real time. 

PLUGINS

Boris FX Suite

A multi-host suite of premium visual effects and transitions that I’m fully licensed for. It gives me access to the full Sapphire toolkit, from high-end lighting effects to stylized treatments.

BLend-X

An Avid Media Composer compositing plugin that expands blend-mode and channel-mixing options. It enables more creative control over layer interactions than the native toolkit.

Excalibur

A Premiere Pro productivity extension that automates repetitive editorial tasks. It speeds up bin creation, renaming, timeline operations, and effect application.

Watchtower

A folder-sync plugin for Premiere Pro that automatically imports new media from watched directories. Ideal for shoots or shared workflows where assets appear throughout the day.

Batch Rename

A bulk-renaming tool for Premiere/After Effects that handles search/replace, numbering, and metadata-based naming. Helps keep rushes and assets consistently organised.

RSMB

A motion-blur plugin that generates natural blur using optical-flow analysis. Licensed for Avid, Premiere and Resolve, and use it to smooth speed ramps or enhance motion in footage without vector data.

Captioneer

Fast, automated tool for generating accurate subtitles and caption files across multiple formats. Its flexibility and clean exports make it ideal for quick turnarounds, social versions, and delivering accessibility-compliant captions.

Film Convert Nitrate

A film-emulation and grading plugin with camera-specific profiles and realistic grain. Used to create organic film looks directly within major NLEs.

Motion Bro

A Premiere Pro extension offering drag-and-drop transitions and motion-graphics presets. It simplifies building polished animations quickly.

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